Library history

About the libraries

History

Menlo Park Library has operated in a school, a hotel, City Hall, a restaurant, and a bungalow until settling down in the Civic Center.

In 1916, the San Mateo County Library opened a branch library in the Central School on El Camino Real in Menlo Park. It contained 50 books and was presided over by Hanna Burke, a teacher at the school. In 1926, the library moved to the Kuck Hotel at Derry Lane and Oak Grove. Four years later, it moved again to City Hall on Doyle Street. For 9 years, 1,062 borrowers used this facility until the next move to what is now the British Banker's Club. Being situated on the mezzanine required borrowers to climb 21 steps, but rent was only $5 a month. This arrangement lasted until 1948, when the library moved to a bungalow on Menlo Avenue.

Not until 1957 was a building designed specifically as a library. Kingsford Jones, a Menlo Park architect, designed the one-story ranch style building with 2 patios and a brick and redwood exterior, giving it a rustic and informal atmosphere. In 1964 the Menlo Park Public Library became an independent municipal library with the county continuing to provide certain services.

The addition of a new wing in 1968 tripled its size with picture windows added for pleasant reading. Another 7,000 square feet was added in 1992, in addition to a complete remodel.

In 1999, Belle Haven Library opened on the campus of Belle Haven Elementary School at 413 Ivy Dr., operating as both a school library and public community library. In May 2024, Belle Haven Library moved to an expanded space within the newly built Belle Haven Community Campus on Terminal Ave.

Windy Hill

Composite photo of Ann M. Hogle's Windy Hill, from the library lobby.

Windy Hill, 1994. Oil on canvas, 72 x 172 inches 

This beautiful three-part mural in the library lobby was painted by Ann M. Hogle. Born in San Francisco in 1927, this local artist pivoted from figurative art to landscapes in the 1970’s and has been rendering Bay Area vistas ever since. 

In a quote from the exhibition catalog Ann Hogle: The Refocused Frame 1978-1998, Hogle said of her process, “I begin a painting with the experience of the place. I start out painting what I see, hoping it will reveal itself to me through the act of looking.” 

A copy of the exhibition catalog is available in the Menlo Park Library’s California Collection for in-library enjoyment. 

 

Look Into It

Photo of stained glass by library entrance.

Look Into It, 1993. Stained glass 

High on a hill beneath the canopy of a spreading oak tree are found three children. The two older ones are engrossed in their books and seem oblivious to the creatures who creep curiously up the hill from the left: an elf, a bear, a dinosaur, a unicorn, an owl, a fish, and a winged lizard. Leading them is a raven, significant in many cultures as a symbol of creative spirit, luck, wit, and mystery. One would perhaps expect these creatures to disappear should either pause to look about. 

Looking over the shoulder of the boy on the left is another raven - perhaps Poe's famous bird or the upstart crow of Shakespearean fame? The other reader shares her side of the tree with a faun. Natural creature that he is, he seems content to simply be as he gazes down from his pastoral perch, a world apart. 

The third child is too young to read for himself yet but seems engaged in conversation with a bespectacled mole. The mole is a symbol for the Friends of the Library who have been affectionately known as "Moles" for having their work sessions in the library basement. He is also a symbol of the older generation handing down knowledge to the younger. On the cover of the book under his arm appears a heart which is a heartfelt thanks to the Friends from the artist for funding this project. 

The choice of children as the main subjects of the windows is meant to symbolize the open, inquiring mind and spirit of adventure one must bring to the discovery of what lies within the covers of a book. The quotes which are inscribed on the pages of the books in the window make reference to this thought and while not legible to the casual observer, might be read with a more determined effort. 

High above, in the uppermost branches of the tree, one finds a bird's nest with eggs in it - threatened by the presence of a cat who appears to have discovered them. This suggests many of life's relationships and lessons: beginnings / endings, life / death, hope in the face of danger - or, from the perspective of the cat, opportunity, hidden treasure discovered, or at least a nice breakfast! 

There are 5 more ravens - one of them with a stolen jewel in his beak - flying up through the tree and away into the picture, leading the viewer's eye toward a distant hot air balloon. This with the view of a girl running with a kite on the hill beyond the hill suggests the phrase "flights of fancy." The eye spirals around and down the valley to a city in the far distance which is depicted as a city of the future (in optimistic light) with gleaming spires and towers, water, and trees. 

The Artist 

Look Into It was designed by artist Pamela Mengers Hodges, and was constructed by her and her husband, Tim Hodges, at Lakehouse Studios in Grass Valley, California. The couple's two-year-old son, Camen Alexander, served as the model for the little boy in the window talking to the mole.